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Balzac
Deep Blue: Chaos from Darkism
Misfits Records
www.misfitsrecords.com

 

Japan's answer to the Misfits is back with another full length release. Loud guitars, screaming vocals and backing vox the size of Godzilla all come together on "Deep Blue: Chaose from Darkism." The resulting music sounds like David Bowie and the Misfits strangling each other in a dungeon fight to the death. What am I saying? Pretty much this: If you liked Balzac's earlier work you're going to love "Deep Blue..."

One thing is certain, you get your money's worth with a Balzac CD. "Deep Blue..." is comprised of 22 tracks, some of which appear on previous Balzac releases. The band even pays homage to Bowie with a spot on cover of "Ziggy Stardust." Balzac tears it up on a no holds barred, high energy cover of the rock classic. The opening track "Death and Confrontation" sounds more than a little like something I would expect to hear on a Tiger Army album. The following track, "Godless," could have been on a Samhain album, had Samhain ever attained Balzac's degree of maturity.

Balzac sets the horror punk bar high for their peers. The Misfits style "In Those Days" fits well with the Social Distortion-esque anthem "Horrorock." Balzac has struck me in the past as a band that is hit and miss. "Deep Blue: Chaos from Darkism" finds the band hitting their stride and creating a solid album that grows on me more with every listen. Balzac has created the best album of their career so far, and if this is any indication, the best is yet to come.

Key tracks: "Horrorock" and "The Gaze"

Reviewed by Jim McDonald

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