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Will Haven
The Hierophant
Bieler Bros
http://www.bielerbros.com

 

Six years since their last album, hardcore heroes Will Haven return. Six years between albums would kill most bands, Will Haven also had the distinction of losing their frontman, which most considered to be the final nail in this band’s coffin. With vocalist Jeff Jaworski taking the helm, the band sound as possessed as ever, enhanced by the production of Chino Moreno (Deftones) and Shaun Lopez (Far).

The Hierophant sounds like Will Haven, plain and simple. Those looking for some diverse new sound or more accessible sounding hit singles will not find them here, so you may as well stop reading. Will Haven still sound like pissed off hardcore kids that secretly collect doom albums on vinyl. As a matter of fact Will Haven are one of the few bands of this genre (perhaps the only) that could be as easily accepted by die hard fans of Southern Lord releases as they are by audiences that have watched them on tour with the Deftones.

“Caviar With Maths” is one of the album’s highlights for sure. Its industrial style opening quickly gives way to a doom pinched, angst-ridden kind of song that looks to eat the nearest cluster of emo-kids. “A Day Without Speaking” sounds like it could be a leftover from any of the band’s previous albums (and that’s a good thing, especially here). The title track and “Helena” also usher the band into the here and now without forgetting that the band are apparently wearing cement shoes.

Normally a band not evolving much at all after six years and a new singer would bother me but, you see, I have gotten a string of albums recently of bands I have enjoyed immensely over the years and they all somehow feel the need to abandon everything I loved about them. You just get sick of that after awhile and that is a good deal of what makes The Hierophant a triumph for Will Haven. This is a solid record from a solid band that fans of hardcore, doom, and pinch-harmonic oriented nu-metal can all sink their teeth into equally hard.

Reviewed by: Mark Fisher

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