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Interviewed by Jim McDonald

   

In the early nineties Fishbone burst onto the scene with a sound like no other. Their mix of metal, punk, funk and jazz sounds made my head spin. Albums like "Give A Monkey A Brain And He'll Swear He's the Center of the Universe" have become classic listening. In 2007 Fishone is back with new members and a new full length CD. I spoke with bassist Norwood Fisher about Fishbone's new release, arguably one of their best in an already impressive career.

Jim McDonald: Hi Norwood. What's new with Fishbone?

Norwood Fisher: We're embarking on a tour tomorrow morning. It's a month long tour of the United States.

JM: Why so long between releases? It's been a while between Fishbone albums.

Norwood Fisher: We were recording in September of 2003 during the course of that recording some of the guys left the band. We had to regroup and basically begin the recording process all over again. We had to re-record whatever we wanted to keep, and we wrote a bunch of new songs. We even had to find the right guys to fit the new songs.

JM: The new CD has a really wide ranging sound. How would you describe the sound of "Still Stuck In Your Throat"?

Norwood Fisher: First of all, it represents the possibility of artistic freedom. It's just kind of who we've always been. That really is the sound of the pursuit of artistic happiness.

JM: How has Fishbone changed over the years?

Norwood Fisher: With the lineup changes things have changed, and things have changed through the years. One thing we hold dear is that we love to experiment, so things are always changing. Our live show has a great amount of room for improvisation. We always keep it changing in the spirit of experimentation.

JM: When did Fishbone do the Sublime Tribute? I see your cover of "Date Rape" appears on "Still Stuck In Your Throat".

Norwood Fisher: We recorded that a few years ago. I don't recall exactly when it came out. We're kind of close to the source in that we have the same management that brought up Sublime. They didn't know what our reation would be, but they asked us would we like to be involved. There were a couple of Sublime songs we could get into, but I was the one who was like "I want to do "Date Rape". It was one of them songs that the lyrics spoke to me. I thought Bradley Knowles did a brilliant job of songwriting on that one. I wish I would have wrote it.

JM: Fishbone has some pretty trippy lyrics. Is there a method for writing Fisbone lyrics?

Norwood Fisher: It goes from song to song. We don't have any particular method. We edit ourselves in certain ways. Sometimes we look at it like, we gotta let that ass hang out on this one, you know let people figure it out for themselves. Sometimes it's like yeah, it's out there. Really, it's just us striving to make great art, and that's how we look at it. Does the art stand up?

JM: How do you think the new album stands up to the old Fishbone catalog?

Norwood Fisher: I really intended this record to sound like the one that could have came between "Truth and Soul" and "The Reality of My Surroundings". It's like a combination of those two. We wanted to updated the sound, you know make sure we were in the new millenium with it as well. We also wanted to make sure that the new band members had some expression on it. I think we accomplished all of that. I'm really very proud of the effort.

JM: What are your tour plans?

Norwood Fisher: We just came out of Australia. We did a couple dates in Canada, and now we're starting the US. We'll spend a great amount of the summer in Europe, and we've got a few Warped Tour dates. We have some confirmed Japanese dates. Going into the fall we're coming back around the United States. We'll be going back to Europe in late fall and going back to Australia in January. There's a lot of globe hopping going down. I hope that South America comes through and that we get to see more of the globe than ever before.

 

 

 

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